CINEOS Premiere

What Time Is It There?

A grieving watch-seller in Taipei starts resetting every clock he can find to Paris time, chasing a woman he barely met — a film that turns longing itself into the substance you breathe.

It speaks almost entirely through stillness, long static takes, and the body's ordinary functions, trusting you to infer the whole weight of grief and desire from what is withheld. Nothing is ever performed loudly enough to build toward a release, so the pressure of loneliness never discharges — it settles in the chest as a slow residue instead of the eyes. The images of the son urinating into a bag, the mother setting a place for the dead, a woman asleep in a park lodge with the persistence of a recurring dream you cannot summarise or shake.

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FAQ

Why does he keep changing the clocks?

It is his only way to feel close to someone far away — an act of grief disguised as a small compulsion. The film never explains it, because explaining it would break the spell.

Is this a sad film or a strange one?

Both, and quietly funny too. Its deadpan stillness is the delivery system for one of cinema's most precise portraits of being alone in a crowded city.