CINEOS Premiere
Tony Manero
A man obsessed with becoming Saturday Night Fever's dancer kills without a flicker of feeling, in a Chile where the dictatorship has made exactly this kind of soul.
It deposits something cold in the chest and gives you no way to set it down — the killings are casual, the face registers almost nothing, and the film denies you any release valve, so you carry everything it accumulates. Disco laid over state-conditioned brutality keeps your body in a low, queasy discomfort throughout. Worst of all, it makes you live inside a mind that cannot feel other people as real, and that solitude walks out with you.
Related Paths
FAQ
What is it actually about?
A middle-aged man in Pinochet's Chile fixated on impersonating the hero of an American disco film — and the emptiness that fixation both hides and reveals.
Is it violent?
Yes, and pointedly so: sudden, unglamorous, and stripped of any thrill. The film wants the murders to feel continuous with everyday life, which is the truly disturbing part.