CINEOS Premiere

The Ballad of Narayama

In a starving mountain village, an old woman calmly prepares for the custom that will have her son carry her up the mountain to die — and the film makes that act feel loving, brutal and cosmically ordinary all at once.

It refuses you any protective distance — sex, rot, tenderness and starvation are all filmed with the same unblinking flatness, denying you the comfort of knowing when to feel. When release finally comes, snow falling on the old woman, the film immediately cuts back to the living going about their animal business and revokes it. What stays is the image of her composed on the mountain, and the unbearable sense that her death is both wrong and cosmically correct.

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FAQ

Is the custom real?

It comes from a folk legend of carrying the elderly up a mountain to die in times of scarcity. The film treats it not as horror or history but as a fact of survival, which is what makes it so unsettling.

Is it bleak?

It is unflinching, but not despairing — it finds comedy, appetite and strange dignity right up against death, which somehow makes the ending land even harder.