CINEOS Premiere
Taste of Cherry
A man drives the dusty hills above Tehran asking strangers to help him die — and the film becomes a quiet, circling argument about whether one small taste of the ordinary world is reason enough to stay alive.
It withholds almost everything — his reasons, his feelings, even confirmation of what finally happens — and traps you in the car beside a stranger's death wish with no way to look away. The pressure builds and never discharges; instead the film ruptures its own frame and leaves you holding it. What lingers is not grief but an unresolved ache that keeps returning, like the memory of a taste.
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FAQ
Does he go through with it?
The film refuses to tell you, on purpose. It ends by dissolving its own fiction rather than answering, leaving the decision, and its meaning, entirely with you.
Is it slow?
Deliberately. The long drives and longer silences are not dead time; they are the whole event, the space where a man's argument with himself plays out.