CINEOS Premiere
Poetry
An ageing woman takes a poetry class just as her memory begins to fail and a terrible crime touches her family — and she must decide how to hold beauty and guilt in the same failing hands.
It moves gently on the surface — an old woman learning to write a poem, light on flowers — while a terrible knowledge sits beneath, held in place by everyone's silence. That gap produces a low, persistent unease rather than any acute jolt, and it quietly implicates you: the film makes you wonder whether looking for beauty is a form of witness or a form of looking away. The final poem, spoken in a dead girl's voice, offers a release that is real but bittersweet, and it refuses to leave you.
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FAQ
Is it as bleak as it sounds?
It's sorrowful but not punishing. The film balances a terrible knowledge against real beauty, and leaves you somewhere quietly, complicatedly moved rather than crushed.
What does the poetry have to do with the crime?
Everything. Learning to truly see the world and refusing to see one specific truth become the same struggle — that tension is the film's beating heart.