CINEOS Premiere
Good Time
One long, panicked New York night as a man tears through the city to save his brother — destroying everyone he touches, most of all the person he loves.
The handheld proximity, the relentless synth pulse, and the way each fix breeds the next disaster keep the body in distress that never lets up. It ends not with catharsis but with deflation — an arrest, a comedown — leaving an adrenaline crash and a moral unease heavier than a chase film usually earns. Somewhere in it you realise you have been rooting for the agent of harm, and that recognition outlasts the credits.
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FAQ
Does the title mean it's a fun watch?
The title is a bitter joke. This is a hundred minutes of mounting panic — thrilling, yes, but the kind that leaves you rattled rather than entertained.
Am I supposed to like Connie?
No, and the film knows it. It hooks you into his momentum so completely that you catch yourself cheering for a man who wrecks everyone near him — and then makes you sit with that.